Thanks to my friend Colleen, I discovered clips of the Ellen DeGeneris Show featuring Gladys Hardy (spoiler alert). You have to watch this:
This is Gladys, and I'll call you tomorrow.
Creative sparks, extracurricular interests, internet finds, life updates, and anything else that might be milling in my head. Subscribe
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Thanks to my friend Colleen, I discovered clips of the Ellen DeGeneris Show featuring Gladys Hardy (spoiler alert). You have to watch this:
This is Gladys, and I'll call you tomorrow.
This is pretty funny - Google is giving away stickers via snail mail. Send a SASE (self-addressed stamped envelope - when's the last time you heard THAT term?) to:
Send me some Gmail stickers already
P.O. Box 391420
Mountain View, CA 94039-1420

Send it by Feb 14 for some old-school fun!
From Official Gmail Blog: Get your Gmail stickers
PS - THIS IS MY 100th POST! Wowza.
Last night I went to a modern ballet performed by the Rebecca Davis Dance Company in center city, at the Prince theater. What intrigued me the most was Rebecca's background as a dancer / Fox School of Business undergrad here at Temple. It's really inspiring for me to see creatives who get a business education in order to further their work.
But enough about me. I have mixed reviews of what her site claims to be "The most original and relevant dance performance of the season." While parts of the performance were truly genius (not to mention the theme behind the whole project itself), there were a few things that missed the mark.
Act II, part one. The whole Christmas scene. "All of the employees gather at Ken Lay's home for the annual holiday party." Maybe that did happen, but it's the end of January and I didn't come to see the nutcracker, and the Christmas tunes like "Ukrainian Bell Carol" didn't jive with the rest of the performance.
Act I, The Baxter Family. Danielle Grimm, playing Cliff Baxter's daughter, sure was cute and can definitely dance. But it would have been nice to see an actual little girl, not an undersized 20-something. And the fact that her mother, played by Jillian Mitchell, is the size of a toothpick made the whole family dynamic thing a bit awkward. No offense to these beautiful and talented women, but it would have been nicer to watch a family that looked something alike.
Enough negatives. Here's what I LOVED about the performance:
Metaphors of blindness, for example the Baxter's protecting each other by covering each other's eyes, whereas in parts it was used as a symbol of ignorance.
The movements that made dancers look like puppets, as though they were being controlled by some larger force. Perhaps the market?
"Smoke and mirrors" and "black box" imagery that made the whole performance work. The radio voiceover in the beginning helps us to understand the motivation for a ballet / visual performance involving an energy company.
The music. Other than the Christmas scene. Coldplay's "Violet Hill" and 311's "Love Song" were the ones we recognized. Would have been nice to have something in the program about the other songs.
Favorite scenes:
"Executive Meeting - Enron Corporate Headquarters" because Andy Fastow, played by Charles Russell, brings out the "books" for the first time. And he can really move! Also, we begin to see the Enron storyline and understand the situation better, as opposed to the first scene "The Skilling-Mark Power Struggle" which was a little dry and made Rebecca Mark, played by Vanessa Woods, look like a prostitute.
"Skilling & Carter - Outside Lay's Home" because this duet was intense (Coldplay accompaniment) and I loved the setting on stage. A full moon on the screen with low lights.
"The Boardroom, The Downfall, and the End of Enron" which are the last three scenes and culmination of everything modern ballet that I would admire. Funky choreography, techno music, use of strategically located shadows on the wall for dramatic effect in one part. The techno in one scene even had me tapping my feet! Good acting, good dancing, and some great numbers overall.
Davis' ability to take a critical look at Enron through both the eyes of a business major and an artistic director is surely commendable. She's taken a risk through her company by portraying real-life situations such as this one in an entirely new and unexpected way. I thoroughly enjoyed this performance not for the overall production but for the theme and concept behind it.
Searching for my Italian textbook on international bookseller sites, I noticed and translated this title in my head:
"Barack Obama. Come e perché l'America ha scelto un nero alla Casa Bianca" or "Barack Obama. How and why America chose a black for the White House"
I think it's so interesting how Italy, and Europe in general, perceives this occasion. I had been getting a bunch of emails from Italian contacts right before and after the election.
On the one hand, they are about as happy as many of us who are glad the Bush era is over. On the other hand, I always wish people would stop referring to him as "The First Black President." I think it was more about inspiring a nation than about him being "black" why he was elected. I might actually add this item to my book for class and take a stab at translating it. See for yourself.

What do you think? Here are some other, perhaps better-branded "Google Doodles," including happy new year, MLK Day, and previous years all the way back to 1999 - whenever a new logo was used on the homepage:
Google Holiday Logos
This is how I am celebrating...
Painting Like Pollock
Yahoo! Avatars is kinda fun if you're in a distract-me-please kinda mood. The selections are limited but here's what I came up with:
A little Rome-sick, maybe, hehe. Especially with all this cold weather in the States!
I made this desktop wallpaper in a program called Blender 3D. It's perfect for a laptop with 1280 x 800 resolution. Get the full size and right-click, then "set as desktop wallpaper" to make it yours!
Isn't this just so... old school? They could never get away with this stuff nowadays: "for Women Only" it says. I think the feminists AND the men would have a protest about this one. See the entire text here.
Stay tuned for a printable mini!
Advertising Ephemera Collection - Database #A0160
Emergence of Advertising On-Line Project
John W. Hartman Center for Sales, Advertising & Marketing History
Duke University Rare Book, Manuscript, and Special Collections Library
http://library.duke.edu/digitalcollections/eaa/